If someone fails as grandly and comically in thought, word, and deed as Waghubinger, they can only get up again and again, push themselves, and sit on the bar stool. As planning for the future has never worked out for him, he looks back this time and a little to the side. The best stories, for which this figure is loved, are told once more and twisted into a rollercoaster of emotions with new anecdotes and attempts at explanation. Waghubinger thinks and speaks so close to reality that one sometimes believes to see it more clearly than in the theater of one's own world. The famous mirror he holds up this time is a broken rearview mirror from parking, and anyone who wants can see themselves, the world, or simply another Waghubinger in it. Philosophical grumbling and loving meanness.

The Allgemeine Zeitung Mainz writes about him: "Light as a feather and polished. There are only a few cabaret artists who can match Waghubinger's art of expression – and there are only very few colleagues whose polished texts float so lightly through the hall." Stefan himself only says that he practices Austrian whining and grumbling, but with German thoroughness.