His annual reviews have long become cult status, and his legendary May Bock speeches at the Hofbräuhaus are well-known. But when Django Asül creates a new stage program, it’s not about the everyday trivialities in politics and society, but rather the big themes. Being current is far from enough. He not only looks at the here and now but also likes to reflect on the elsewhere and the later. It gets to the heart of the matter. And all this without regard for profits. For those who find this announcement too cryptic, let it be said: Django Asül’s now eighth solo program can easily keep up with any precision instrument made in Germany.